TRON: Ares
Disney’s cyber-sequel plays like a series of chase scenes strung together by technobabble, but viewers of the large-format 3D version will feel like they’re in one of the studio’s theme-park dark rides.
Disney’s cyber-sequel plays like a series of chase scenes strung together by technobabble, but viewers of the large-format 3D version will feel like they’re in one of the studio’s theme-park dark rides.
It’s a glorified press kit/listening party for Taylor Swift’s 12th studio album, designed to bring her faithful fans back to the multiplex.
Amid widespread concern over the health of the Korean film industry, the Busan International Film Festival celebrated its 30th edition hosting domestic films – and audiences – marked by their variety and vitality.
Mattie Do’s The Sleeping Beauty is a beguiling fairy tale of accursed love that blends fantasy and horror, born of traditional Laotian folklore.
François Ozon gives much-loved Albert Camus novel 'L'Étranger' a chic retro-modernist polish in this sumptuously shot adaptation of a French literary classic.
Autenticidad y buen humor en las manos de José Luis Guerin hacen de estás Historias una contendiente fuerte a la Concha de oro.
Ondrej Provaznik’s 'Broken Voices' takes the top prize, while debut directors flourish at Oldenburg 2025.